·
There
is too much piano by far! And excuse me but at least half of the 90% (Berra?) recorded
from the boatload written is worthless drivel.
·
Please
play more vocal music: arias, choral selections, art songs, operatic segments,
etc. And when you so do, play a version featuring the human voice, not just
some re-arranged orchestral elevator claptrap.
·
Tagging
in on the previous point, Gilbert & Sullivan are worthy of more air time.
·
Most
anything having to do with theme and variations should remain in the composer’s
study and/or the rehearsal room. There are few exceptions to this rule.
·
Consider
playing the entire symphony rather than selected movements? And perhaps program
some of the lesser-know symphonies?
·
Maybe
take a risk and play some Schönberg, Hindemith, Ligeti or Tippett?
·
How
about more in the way of Medieval Music? Percussion Ensemble? Ethnic
renderings? There’s a treasure trove in Jewish music alone!
·
I’m
good for authentic renderings of our great musical works rather than
transcriptions: an organ piece performed on organ, original band works
performed by a fine wind band, harpsichord and virginal music so played, etc.
·
Asking
a fine symphony orchestra or chorus to attempt to perform jazz is like trying to
teach a raccoon to dance—your instructional efforts are pretty much wasted, and
you also annoy the ‘coon. Stop it.
And of
course, you’ve all a right to my opinion.
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